Hammers of Misfortune - The Locust Years I was inspired to write this review whilst listening to Slough Feg's "Atavism". These two bands which convey such similar music style are not mutually exclusive when I think about them, yet artistically they are. However, given Decadent pretty much nailed "Atavism" in his review, I decided to review "The Locust Years". This album is nothing short of brilliant. Not since Bruce Dickinson's "The Chemical Wedding" have I felt so rejuvinated when listening to an album. On occassion I admit it has passed through my head "why do I bother with heavy metal", when I hear wave after wave of mediocre songs released by bands that should have retired 15 years ago, or bands that really serve no purpose other than to entertain a modern generation of metal fans who are too young to have seen bands such as Morbid Saint, Grotesque or someone like these bands, live. Yet salvation is thy name with "The Locust Years" as it offers a rekindling of interest in heavy metal. Unlike something in the vein of Dark Tribe's "In Jeraspunta ..." to appreciate this masterpiece, there is no requirement for mental exertion. It is remarkably simple in structure, yet effectively assertive and calming, all of which bringing about its rejuvinating appeal. With catchy riffs interlocking from passage to passage "The Locust Years" will captivate you from start to finish. Brilliantly harmonious vocal performances from Mike Scalzi and Sigrid Sheie drape this album with a lush organic sound and give it an authenticity like few other albums of its era. The interplay of lead guitars and keyboards throughout the album, from speedy tempo'd sections akin to Iron Maiden's "Run to the Hills" through the more doomish sections akin to early Candlemass highlight its unique diversity as much as its broad range of influences. A gentle approach to composition neither forces ideas nor lacks any coherency. Yet it is powerful and emotive in bringing a sense of unity between the listener and the band, with lyrics crying out to be chanted in unison: "Now that we're unchained we'll reign, insane and drown the world in flames and blood, and pain Our legion eyes and ears will amplify your fears in a wilderness of mirrors in these new Locust Years" The less playful and more moody approach taken by Hammers of Misfortune in comparison with their seemingly drunken pirate-esque counterparts "Slough Feg", in my opinion gives this band the edge, as is perfectly illustrated by "The Locust Years". Whilst both bands remain essential listening, the more matured and ultimately more rewarding Hammers of Misfortune receive deserved accolades and your appreciation for this, their crowning achievement to date.